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Grateful Dead Live at Oakland-Alameda County Coliseum Stadium on 1976-10-09




Set 1

The Promised Land
Mississippi Half-Step Uptown Toodeloo
Cassidy
Tennessee Jed
Looks Like Rain
They Love Each Other
New Minglewood Blues
Scarlet Begonias
Lazy Lightnin'
Supplication
Sugaree

Set 2

Saint Stephen ->
Not Fade Away ->
Saint Stephen ->
Help On The Way ->
Slipknot! ->
Drums ->
Samson And Delilah ->
Slipknot! ->
Franklin's Tower ->
One More Saturday Night

Encore
U.S. Blues


Collection GratefulDead
Band/Artist Grateful Dead
Venue Oakland-Alameda County Coliseum Stadium
Location Oakland, CA

Source master taped on a sony tc-152sd
Lineage MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac
Taped by Louis Falanga
Transferred by Rob Berger

Notes

24 bit version.

Reviews

Reviewer: njpg - - October 7, 2013
Subject: -
Ah, there's nothing like this sound. Creaky & full of bass, but with nice soft clear tones from on high. It's like church, man.
Reviewer: whirlwind dreamer 65-95 - - April 28, 2010
Subject: had this on tape
this is one of my favorite 76 shows. for an aud recording this is hot!!!
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Source: Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 1; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
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Source: Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM
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Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris
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Source: Source: 2 Sennheiser 421 microphones - up front/center> Sony TC-D5M - analog master cassettes;
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Source: AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS90 (1st set) & TDK MA90 (2nd set) with no Dolby. Set up last row of floor far right (stage left) side.
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
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Source: source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
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Source: Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes
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Source: lineage: (2) nakamichi 300 cp4> d-5 mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/First Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software